Transcript
WEBVTT
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Hi friends and welcome to another episode of forward into the past.
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I'm J.
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C.
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Rede, your host and narrator.
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And today we're finishing off the latest installment of the 1903, Nick Carter mystery toying with fate or Nick Carter's narrow shave.
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Nick Carter is a fictional private detective who was first introduced in the 1886 dime novel, the old detectives pupil or the mysterious crime of Madison square penned by John Russell.
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Correale.
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Over the years, the character has evolved and adapted to suit the tastes of different generations.
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During his early years, nick Carter was portrayed as a cerebral detective solving crimes.
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using his sharp intellect and powers of observation.
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In the later series, the character developed a more physical and action oriented persona.
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Keeping up with the changing preferences of readers.
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The Nick Carter mysteries were popularized and sustained by the phenomenon of dime novels.
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These were inexpensive mass produced and often sensational pieces of fiction that cater to a wide audience typically circulated in the United States in the late 19th and early 20th centuries.
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Dime novels were usually sold for about a dime, hence the name and featured lurid stories of adventure, romance, and mystery.
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They were easily accessible and allowed people from all walks of life to indulge in the pleasures of reading.
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This accessibility and affordability played a pivotal role in popularizing the genre and character of Nick Carter.
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There are several factors that contributed to the lasting popularity of Nick Carter and dime novels.
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One of the primary reasons was the characters, relatable humanity and the emotional depth of his stories.
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Despite his extraordinary skills.
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Nick Carter was portrayed as a character with flaws, vulnerabilities and moral dilemmas.
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This made it easier for readers to identify with him and become immersed in the stories.
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Moreover the gripping plots, intriguing mysteries and intelligent narrative devices employed by the authors of the series, kept readers glued to the pages.
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The stories were filled with twists and turns, taking readers through the intricate webs of crime and deception that Nick Carter had to untangle.
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The thrilling adventures and the aura of suspense in danger made these dime novels a perfect escape for readers seeking excitement and escapism.
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The Nick Carter mysteries have left an indelible mark on popular culture.
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They have been adapted into films, radio dramas, comic books, and even television series further solidifying the detective status as a cultural icon.
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The popularity of the series inspired the creation of other famous detectives and characters, such as Sherlock Holmes, the shadow Hardy boys and Batman, which continue to entertain and inspire generations of readers.
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In conclusion the Nick Carter mysteries with their colorful characters, riveting plots and dime novel origins have played a significant role in shaping the detective fiction genre.
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They also helped create a reading culture through their affordable and accessible format.
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So the next time you're in the mood for a thrilling detective adventure.
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Grab one of these classic dime novels and immerse yourself in the fascinating world of Nick Carter.
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Or just sit back and enjoy listening to this podcast.
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As we enter the last episode of toying with fate or Nick, Carter's narrow shave.
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Chapter 13 blackmail.
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The cabman did not allow the grass to grow under his feet.
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It did not take him long to reach the studio building.
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Oh, he's a rascal.
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Carter commented as he tracked the cabman.
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I can make use of him.
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The detective was amused.
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That he had formulated some shrewd move was quite certain, from the manner in which he was acting.
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The cab man entered the studio building.
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Carter was close behind him.
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Not for an instant that the man suspect that he was the person who had given Rich's name and address to him.
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Does Mr.
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Rich live here?
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The cabin asked of the elevator boy.
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Carter was now standing in the elevator, and he heard what was said.
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Mr.
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Rich lives on the top floor.
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The boy replied to the cab man.
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Is he in.
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The cabman inquired, getting into the elevator.
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Well, you can go up and see.
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All right.
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When the top floor was reached, the elevator boy pointed out Rich's room.
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The cabman hurried up and knocked on the door.
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Carter walked leisurely down the hall.
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He halted halfway down and looked out of the window.
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He stood in such a position that he was able to see the cabbie.
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Three times the driver pounded on the door without receiving a response.
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The fourth time he knocked as if he were going to break in a panel.
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Someone opened the door.
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Carter could not see who it was from where he was standing, but he heard the cabman exclaim.
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I want to see Mr.
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Simeon rich.
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He isn't in a female voice replied.
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Carter did not recognize it, but he surmised that it belonged to either Sally rich or Isabella Porter.
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I want to see him miss, the cabbie insolently replied.
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If he isn't in I'll wait until he comes.
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Who are you?
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The woman within the room asked.
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It doesn't matter who I am.
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It doesn't eh?
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well, I guess it does.
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Is rich in there.
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If he is tell him that the cab man who drove him about town on the day before new years wants to see him.
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Let him come in.
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A man's voice called out from the interior of the room.
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The Coachman pushed by the woman and entered the apartment.
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Instantly the door was closed.
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Carter hurried up to the door.
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A transom was above it.
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It was halfway open.
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Reaching up.
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Carter caught hold of the edge of the sill under the transom and pulled himself up until he was able to peer into the room.
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He beheld rich and Darwin seated on divans at the side and two women lolling back in steamer chairs.
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The cab man was standing in the center of the apartment gazing boldly at rich.
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What do you want?
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Rich demanded in a stern tone as he glared at the cabbie.
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Do you want me to talk out before these people?
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The cabbie asked, looking around the room at those present and waving his hand toward them.
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I have no secrets from them.
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You haven't, eh?
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No.
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Then you must all be in the same boat.
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Oh, this is a rich graft.
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What do you mean?
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Rich uttered an oath and sprang up.
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He realized that the cabbie knew something.
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He was enough of a student of human nature to read the man's intentions in the expression of his face.
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The cabman did not flinch.
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I guess you'll come to time.
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Mr.
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Rich, he insolently remarked with a sneer.
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Rich stood within a few feet of him.
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He raised his arm, above his head as if he intended to strike the man, but thinking better of it.
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He allowed it to drop to his side again, and he muttered an oath.
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Cabbie was no fool.
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He knew what was in Rich's mind.
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If you had tried to strike me, then I'd have floored you.
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He growled.
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And it is well for you that you did not try it on.
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Rich made no reply.
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He only glared at the cabbie in silence.
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His face was as dark as night Carter hung onto the sill.
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He had viewed the scene through the transom and he had heard every word that had been uttered.
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His arms were aching.
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He was forced to let go his hold.
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Without making a noise.
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He dropped to the floor.
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Now he stood outside the door and listened.
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At last he heard rich exclaim.
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Speak out sir, and tell me how you learned my name and address.
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I'm not giving my friends away.
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The cabbie replied.
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What d'you want.
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Money.
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Money.
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Yes.
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What for.
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To keep my tongue from wagging.
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Aye.
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You understand me, Mr.
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Rich.
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The man whom you track from the grand central on the day before new years was the man who was murdered at the red dragon in.
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Carter had raised himself up again so that he was peering through the transom when the cab man uttered these words.
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Rich did not start.
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He displayed not the least sign of fear.
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He glanced at the man with a sinister expression upon his darkly handsome face.
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I am aware of that.
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He replied in cold, harsh tones.
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You are a good bluffer, rich, the cabbie remarked, and he smiled.
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It was as good as looking at a play to watch these two men.
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Both now had their tempers under command.
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You call ME a bluffer rich retorted.
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I do.
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The cabbie rejoined.
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I am not afraid of you.
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I will go to the police and inform them that you tracked Lawrence on the day before new years.
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And you hired one of the worst thugs in the city to keep on his trail.
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Carter would reward me liberally for this information.
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You are a scoundrely blackmailer.
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I acknowledge the corn.
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I've got you in a corner and you will have to pay not 1 cent will I give you! Think twice Mr.
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Rich.
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Be careful Sim.
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It was one of the women who spoke.
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She had come up to Rich's side and laid her hand gently upon his arm.
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The man glanced at her and said, I know what I am about Sally.
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Carter knew from this, that the woman was Rich's sister.
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The other woman he surmised was Isabella Porter.
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A broad grin spread over the cabbies face.
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Yes.
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Be careful Mr.
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Rich, he sneered.
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He was becoming more insolent.
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The longer he waited.
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Rich wheeled around his large black eyes were flashing.
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His face was aflame with passion.
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You be careful.
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He hissed between his clenched white teeth and he drew his arm back.
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Sally threw herself between her brother and the cab man.
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SIM she ejaculated, calm yourself.
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Yes.
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Calm yourself.
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my Covey.
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Cabbie repeated with a chuckle.
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Rich bit the ends of his mustache and glared.
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He was making a desperate effort to keep calm.
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A silence followed.
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Cabbie kept his eyes on rich.
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When he saw that Simeon was not going to speak, he said, Let us get down to business.
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Rich.
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There is no use of trying to bluff me.
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I am too old a bird to stand any kind of a jolly.
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I can read your character and you ought to be able to read mine.
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If I should go to the police with the information which I possess, you know, they would come down on you heavily.
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Wait one moment.
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Let me finish.
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I have no desire to injure you if you treat me halfway, decently.
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Times have been very bad with me lately and I need money.
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I feel convinced that you and your friends have gained by the death of old Lawrence.
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In today's paper was published on account of the Lawrence will case.
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And it was suggested that a search be made for you and the wife and daughter of the murdered man.
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The police do not know where you are.
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They have no evidence against you.
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But I can furnish that evidence.
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Now, how much is it worth you for me to keep silent?
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The cabbie spoke calmly and deliberately.
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Rich followed him closely.
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He frowned and his fingers work nervously as if he were desiring to spring upon the man and strangle him.
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He did not reply for some moments.
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He looked around at Darwin and the women.
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What shall I do was in his eyes.
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Pay! Darwin said alarmed.
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Rich turned his eyes on the cabman.
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How much do you want?
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$1,000 Cabbie coolly replied without changing an expression.
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Absurd.
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No, it is not.
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It is.
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To keep me quiet.
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$1,000 is a small sum.
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How do I know if I do pay you the sum that you will not give me away anyhow.
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I never go back on my word.
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Um, I will give you 500.
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Not a cent less than a thousand.
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I can't give you any such sum as that today.
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I won't be hard on you.
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Thank you.
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You don't mean that.
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I'll take part on account.
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I'll give you 100.
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Make it three.
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I can't.
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I tell you.
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All right, I'll take the century.
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Here it is.
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Now.
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When will you pay the balance?
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Tomorrow.
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Shall I call here.
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No, I will send the money to you.
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At my stand.
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Yes.
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What time.
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Noon.
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Very well.
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It will be on hand.
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See that it is.
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What is your name?
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Pete McCree.
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And what is the number of your cab Number 147.
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The cabbie started toward the door.
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Before he turned around, Carter dropped.
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He ran toward the elevator, which he reached before the door of the room was opened.
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While standing with his back turned.
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He changed his disguise.
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Then he got into the elevator.
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As soon as the detective reached the street, he halted near the entrance.
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When McCurry came out, he walked up to him and tapped him on the shoulder.
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Hello.
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McCree ejaculated.
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I'm on hand.
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Carter remarked.
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So I see.
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How much did you get?
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Not much.
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How much.
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100 bones.
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Why didn't you make them pay more?
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He couldn't produce today, but he will do so tomorrow.
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I get half.
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Certainly.
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And you are square.
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I'll get this note changed.
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I'll change it.
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Have you got 50?
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Yes.
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Alright.
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Here's the century.